Kang Soo-youn, one of the first Korean actors to win international recognition, has died. She was 55.
Kang was with her family at home in Apgujeong-dong, southern Seoul, on Thursday when she collapsed. She was in cardiac arrest when hastened to the hospital and died without regaining consciousness at 2:10 pm on Saturday.
According to her family, the cause of death was a cerebral hemorrhage.
After taking a 9-year break, she recently returned to work as an actor with “Jung_E,” a Netflix film directed by Yeon Sang-ho that wrapped in January.
Born in 1966 in Seoul, Kang began acting at the age of four under contract with TBC. Years before Korean film began to gain global attention, Kang was named Best Actress at the 44th Venice International Film Festival in 1987 for her role in “The Surrogate Womb” by Im Kwon-taek.
She was 21 at the time.
It was the first time a Korean actor had ever received a prize from one of the three most prestigious international film festivals — Cannes, Berlin and Venice. Set in the Joseon Dynasty (1392-1910), the film is about Kang’s Ok-nyo, a poor but obstinate girl from the countryside, and a nobleman falling in love despite their vastly different backgrounds.
Kang took Chungmuro — the name of a district in central Seoul that was once the heart of the local film industry — by storm, appearing in quick succession in six films, such as “Springtime of Mimi and Cheol-su,” “Now, We are Going to Geneva” and “King Yonsan.”
Two years later, she took the lead in Im’s “Come, Come, Come Upward” (1989) as a troubled young student named Sun Nyog who enters a monastery to become a nun. Kang demonstrated her passion for acting by actually getting her head shaved on-screen when shooting the scene where Sun Nyog becomes a nun. Kang was named Best Actress at the 16th Moscow International Film Festival for the role.
In a phone interview last year with the JoongAng Ilbo, Kang said that she did not go to the Venice Film Festival because she “never expected to win a prize,” and when she did at Moscow, “none of the Western cinephiles knew where Korea was. But interest in Korean films grew dramatically starting in the 1990s.”
Her heyday continued throughout the 1990s. She appeared in “Berlin Report” (1991), “Road to the Racetrack” (1991), “Blue in You” (1992), “That Woman, That Man” (1993), “Go Alone Like Musso’s Horn” (1995) ) and “Their Last Love Affair” (1996).
In television series, her notable works include “Ladies of the Palace” (2001) on SBS, which was one of the highest-rated television series of the year.
She also starred in “Hanbando” (2006) by Kang Woo-seok and “Hanji” (2013) by Im Kwon-taek. She took a break from acting after “Jury” (2013), which was the directing debut of Kim Dong-ho, founder and former chairman of the Busan International Film Festival (BIFF).
From 2015 to 2017, she served as co-executive director of BIFF.
“Jung_E,” was her first attempt at a sci-fi film. In the film, set in the 22nd century on an inhabitable earth, Kang takes on the role of Seo-hyun, a team leader of a laboratory developing brain cloning and AI technology. Her character is tasked with an experiment on which humanity’s fate depends.
The film is set to be released by Netflix this year.
Kim Dong-ho leads the funeral committee along with filmmakers Lee Woo-suk, Im Kwon-taek, Chung Ji-young and Jung Jin-woo and actors Kim Ji-mi, Park Jeong-ja, Park Joong-hoon, Son Suk and Ahn Sung-ki.
Her wake is being held at Samsung Medical Center in Seoul from Sunday. The funeral ceremony is scheduled for Wednesday.
BY LEE JAE-LIM [[email protected]]